In lieu of the review of Hellblinki’s “These Bubbles Come from Ants” that I was asked to write, it seemed worthwhile to discuss the bonds that exist within the steampunk community.

Back at June’s Polyphonic Panorama at Chicago’s Abbey Pub, we were graced by the presence of Hellblinki and the midway marvel Sanjula Vamana. In the dim light of the dance floor, he discreetly introduced his manhood (i.e. whipped out his pierced tallywhacker). He fastened it to a chair and spun about like a dervish. A veritable chair-nado of the crotch.

But this would not be quite so wond’rous if the very same Hellblinki did not have a song called “Sanjula’s Junk” on the album that appears on this very aether-page! It’s a bouncy little ditty with some old-timey, voh-de-oh-doh vocals.

The dance at the show was an example of mutual benefit. Artists supporting artists! The object of affection and tribute offered his own tribute to the merry-makers.

As a community, let us celebrate each other and our talents. Support independent artists like Hellblinki, Sanjula and the Chicagoans who made their dance possible.

“A topper is a topper and you can’t top that.” -Roger Miller, “The Hat”

It’s a shame to see so many Chicago heads emblazoned with the logo of a sports team. Baseball teams show regional boundaries. Football provides a unifying ursine presence. Would that the City of Big Shoulders show a little more pride atop its noggin? Fortunately, there are milliners to provide the service.

Cassel Goorin began selling hats in Pittsburgh in 1895. His sons moved the business to San Francisco in 1949. Now the Goorin Brothers have Chicago stores in Lakeview and Wicker Park. Lady or Gent, you can’t go wrong with their Heritage Collection.  Tina Flapper is a very fine cloche, and her sisters are also diesel-punk evocative. The Flying Private and White Rabbit are timely variations on the top hat.

Hats Plus offers an extremely wide variety of toppers. Colors and styles abound at this Portage Park shop at the Irving Park/Milwaukee/Cicero six corners. Prices are generally quite reasonable. If you’re looking for a hat you can use for modification (adding gears, moving clock parts, or a hand-cranked lamp), turn the Milwaukee corner and visit Fantasy Headquarters. Hats and costumes abound. Just avoid rolling your eyes at the steampunk display.

The Oakton Street Antique Center in Elk Grove, IL,  has a pretty good selection of Victorian or Edwardian styled ladies’ and men’s hats at reasonable prices and in good condition. Shabbier hats could use a good home, too. You can fix or mod a hat with some damage (and a lower price) and give it a new life!

If you’re going to mod or make, Hobby Lobby has a small selection of doll hats that can be used for tiny top hats and fascinators. They range from toppers to wide-brimmed (for a doll) straw hats. Add some clock hands, damask ribbon, fabric or an assortment of  the steampunk themed accoutrements that they have started carrying. The hats are as easy to sew through as sewing a button. Grab a hot glue gun, watch a YouTube tutorial and with a little practice you can come up with some unique designs.

If you want to up the ante, take a millinery class. They are available at Eia Millinery Design, The Fashion Design Departments at the College of DuPage, Columbia College, Illinois Institute of Art and the International Academy of Design & Technology.

(by Joe Mason and Renee J. Knowles Lebbing)

Come one, come all to Chicago, for this Saturday June 4, we have an extra-ordinary event! Presenting, the Polyphonic Panorama! A night filled with steampunk and vaudeville music, steampunk fashion, pirate humor, fantastic Steampunk art, jewelry and more!

The Abbey Pub! 8pm!

Come hear the fantastic sounds of Frenchy and the Punk, Helblinki Sextet, Curtis Eller, Eliza Rickman and Duenow!

See the pirate madness what is Thee Bluebeard!

If you were at the World Steam Expo, consider this an encore performance and a kickstart to a Chicago summer of Steampunk!

Read more about the Polyphonic Panorama and see our entire Calendar of events at our events listing!

See you there!

Reverend Captain Flint has seen many things in his travels around the world, and many things that should be dead. From the horrors of the undead catacombs of Paris, to the mysterious goliaths of deepest Africa, to the cold steely hull of a pirate Airship invading the Antartic, one must always be prepared with the proper armament. Luckily, he had commissioned and worked with Mr. Nikola Tesla, one electric rifle.

The Tesla Electric Rifle

The Tesla Electric Rifle is a rifle which fires charged electrical bolts, similar in behavior to standard gunpowder bullets. Is is not a ray gun, as it shoots visible micro-charges of electricity, and not electrical arcs or mysterious rays. These electrical bullets can be scaled in both lethality and range to serve a wide variety of uses. Through means of a portable Tesla battery/capacitor, enormous amounts of electric energy can be focused and sent in a shaped charge, bringing down a foe, great terrible lizard, or the flammable gas bag of an enemy ship.

Use and Operation.

Similar to the electric bullets of Cpt. Nemo, the Tesla Electric Rifle is a weapon of the modern age. While the inner workings remain a mystery, the basic concept is known. A battery/capacitor about the size of a small candlestick is hung from the belt of the operator. Two electrodes are present, to which the alligator clip terminals of the rifles’ input wires attach. The wires feed to terminals on the right side of the rifle, where the electricity is internally stored and processed through miniaturized electrical connections embedded inside the device.  Two miniature Tesla coil banks are mounted externally, near the rear brass peep sight and electrics. When fired, energy is sent coursing through two wires, stabilized by a rare earth magnet, and gaining the desired charge and lethality through windings over various material and components. The wires then proceed to a copper cooled anode and cathode.

Through not easily understood means, the internal electrics, anode and cathode work in harmony to create shaped charges of electrical bolts. The rifle can store enough energy for several charges after a disconnect from the power source. The bolts are focused down a half inch diameter brass tube at great velocity, and then expelled with alarming accuracy into whatever target they are aimed at, conductive or otherwise. Each bolt-bullet is like a small, highly focused lightning strike, sending full power of the strike into a very small area. The anodizing and scorch marks at the end of the barrel are a testament to this.

Public Display!

Let it be known the Steampunk Rifle will be on display, carried on the person of one Reverend Captain Samuel Flint of the RLGEMS at the World Steam Expo in Dearborn MI, this last weekend of May, 2011.

Building the Rifle.

The Tesla Electric Rifle began as a prop rifle for the inaugural Teslacon. I needed a good solid weapon, and I’m a big fan of Tesla lore and DIY. I didn’t want to mod an existing weapon or plastic NERF blaster, I wanted something hefty, something wooden and brass, and something that looked like it meant business.

A friend gave me her old parade rifle stock, and it was a fabulous platform to work with. My original intention was to sand the white paint off and dye the wood, but I am pleased with the worn, painted look, though I may update it if time allows.

The brass sights and underbarrel winding rods are from a brass toilet seat hinge, purchased at Menards (I drove all over the city trying to remember where I got the first one). The copper parts are simple pipe straps, tarnishing comes from use and age. Various brass screws, washers and pegs hold everything together.

The Tesla coils are simple steel fender washers alternating with small locking washers, and the bold is threaded right into the stock. The brass rod is from a small candlestick. The trigger guard is a drawer pull, with a shelf peg and brass washer set inside, sheepishly, window putty.

Tesla Rifle Receiver

At the business end of the gun, I’ve used a small brass candlestick rod with threads at either end. One end is epoxied into a threaded hole, and the other is capped with a steel cap nut. The barrel is from a 1/2″ dia. brass pipe from American Science and Surplus. A threaded rod was screwed into the end of the stock, drilled through a candlestick cup. The brass rod is held in place via two washers and nuts forming a bushing. The brazing at the end was from simply holding it over a gas stoce and quenching. An old faux leather purse was scrapped to provide material for the cheek rest.

Tesla Electric Steampunk Rifle Wiring

The wires come from various old headphones purchased on eBay. They were arranged to give the impression of implied circuitry; they feed into two points, and the branching wires feed from these points to the other various odds and ends on the rifle, terminating into two steel tips (original to the wires), seemingly plugged into the anode and cathode at the working end.

The main feeding wires with alligator clips come from a fantastic lineman’s rotary handset I picked up for $12 at an antique store. Red and black with two mean clips, they shout business (and tuck nicely under the cheek rest).

Building the Power Source.

Tesla Battery-Capacitor Power Source

The power source came to be when I realized the rifle had to get its juice from somewhere. Unsuitable for attachment to the rifle, a large tube like candlestick was used as a base. Two sturdy brass candlestick cups were added in place at the bottom of the device with window putty. Sandwiched inbetween the cups are two more old wires, feeding up to the terminals at top, which are door stopper posts. A few hose clamps and odd hooks and catches hold everything together. The result is the capacitor battery bank, which has a surprising heft to it, thanks to the brass candlestick parts. The device is inconspicuous and can be hung from the belt or used as a sidearm when it may be inappropriate to wield a large rifle (museums, parks, day care, bars).

Future Plans.

I may varnish the wood and make the trigger more secure. I am a huge fan of working devices and originally intended to make it at the least light up, but this proved too costly and time consuming, I’m satisfied as is. I recently purchased a new stock from an old crossbow at  Lost Eras antique shop in Rogers Park, Chicago. I’m currently in the sketching stages with this one, as its larger and very unique.

Back in August we introduced you to our first version of Professor Evad & The Lord Baron Vourteque’s Amazing Aural Amplification and Fusion-O-Scope Machine just in time to premiere it for our Gypsy Nomad’s show.

As with all inventions, there were a few notable bugs during that show – the most glaring being the over-heating of our transformer that is housed on the left side of the machine.  We fixed this at the show with a small fan, but decided we had to take it back into the shop and do some re-working.

Through Evad’s esteemed knowledge of everything (truth be told, while I did most of the aesthetic design, it was Evad who did 99% of the engineering), we salvaged a fan from the same heater we got the housing from, then added a drum switch (essentially a two way knife switch, as can be seen above the housing) and re-worked the wiring.  This gave us both a significantly better looking and more aesthetically pleasing on/off switch as well as a really elegant looking fan on the side, it also gives the rig a much more dramatic “start up” – were as the DJ can wait until everyone is watching, turn the crank and the entire rig starts up with a “whirrrrr”.

Our other main problem was with the monitoring system. We used a small electronic monitor that is housed underneath the gramaphone horn, and while the little guy packs a real punch, it would often run out of juice halfway through our events.  Though this wasn’t a huge problem as the system itself can be plugged into larger systems via our XLR outs, it was an inconvenience to the DJ (who would be without a monitor) and detracted from the performance aspect of the machine – as audience members very much enjoyed hearing sound come from the horn itself.

We fixed this by installing an additional plug box, which can be seen sticking out the back.  We re-routed the power supply through the plug box first and then into the on/off switch.  Next, we internally ran a power cord from the speaker into the box (the plugs are on the inside).  This also gave us a power supply for the light, which is essentially gas-pipe and a simple pull-chain lamp socket.  We chose not to route the box through the on/off switch so that as long as the machine is plugged into a power source, the monitor charges and the light works regardless if the DJ rig itself is on.   This also allows the DJ to open the central panel and make use the light to make switch modifications on the back of the rig while keeping the machine off.

Finally we also added doors to the CD trays themselves, something that had been missing and was really really bugging Evad.  We also switched out the old plastic cord for a cloth covered cord and a big metal plug!

Technical jargon aside – Fusion-O-Scope 2.0 will be premiering at Ohayocon in Columbus, Ohio TOMORROW (Friday Jan 28th).  If you would like to know more and are in the Columbus area, Evad and myself will be hosting a panel at 9pm this Friday in the Hayes Room where audience members can see the rig up close and ask questions about it.  I will also be performing with the rig at the Clockwork Crescendo and Steampunk Dance on Friday Night and the Lolita Crush on Saturday afternoon.

The rig will also be used at The Gaslight Sessions at The Charleston in Chicago on Tuesday Feb 1nd, at Stitches with the Airship O’Reilly at Clark Bar in Champaign-Urbana, Illinois on Thursday Feb 3rd and at the Fraudeville show in Detroit on  Saturday Feb 5th at the Eagle Theatre!

And OF COURSE it will be on stage as our main rig for our BIG event in February – The Gearbox Fantastique!  But more to come on THAT soon!

Some additional “glamor” shots of the machine are below – ENJOY!

Best!
-The Lord Baron