Thanks to our friends at Terra Mysterium for this heads up.  Local Chicago theatre troop The Bohemian Theatre Ensemble is doing a “steampunk” rendition of the French classic Tartuffe running at The Wit theater in Lakeview through Feb 12th.

To quote their website.

Using steampunk (a scifi subgenre that mixes Victorian history and aesthetic with futuristic steam-powered technology) as a backdrop, BoHo’s production mirrors the tumultuous societal landscape of 17th century France as a world that at once seems both familiar and alien, when old and new exist side by side. Without losing any of Molière’s wit, BoHo’s Tartuffe makes it obvious why a man would desperately believe the lies of a swindler over the word of his own family. Continuing our season-long exploration of the Bohemian pillars of truth, beauty, freedom, and love, Tartuffe explores the pillar of truth through the eyes of a liar.

Sounds fantastic!  Also, check out the trailer below!

For more information and to buy tickets to this show do visit their website HERE.

On Saturday, July 2nd Jellyboy The Clown of The Squidling Brothers was caught in a non-performance related fire in his friend’s Queens apartment.  He’s presently in critical, but stable condition and can use any and all of our wishes and prayers.

I’ve had the wonderful pleasure of getting to know Jelly Boy, as well as counting him amongst one of my friends.  He’s as genuine a gent as you can get and a truly dedicated performer.  I, for one, can attest to it that I’m not sure I’ve ever seen him sans-make up.  On stage, and off stage, he’s as charming as one can get, and we’re always honored to have him, and the rest of the Squidlings, here with us in Chicago.

As with many performers, Jelly Boy does not have ample enough insurance to help with the needed medical costs.  If you’re in New York definitely check out this show, it’s happening July 15th at Leyla’s in Brooklyn.  Here in Chicago we, too, are working on some events.  Doubly, you can always go to the PayPal Donation Page to help out.  Every little bit does.

Much love Jelly Boy, we’re all rooting for you.

Regardless of what anyone says, I stand by the notion that steampunk is an impossible idea to ultimately define (at least as I write this it still seems to be). That does not, however, mean it is impossible to talk about the various aspects that feed into the greater idea of what Steampunk is, and one of those core tropes, I would argue, is that of  The Circus.

Before I continue on, yes, this article is precisely being timed to go live as we at Steampunk Chicago build up promotional steam for our next big show – The Gearbox Fantastique – which is, unabashedly, a steampunk circus event. But more on that later.

The circus. To run away and join it is freedom, to actually work it is often destitution, to find fame in it a Herculean task and yet the image of The Circus, both in reality and in the fantastique, refuses to die.  I was first exposed to the whimsy of circus through such modes as the music of Tom Waits, the film The City of Lost Children and the television show Carnivale, amongst a whole host of other things.  To say the least, I found the circus in exactly the same places I found steampunk, and for me, the two are inextricably linked.

But why are they linked?  Yes, the circus does not typically include big gears or airships, but I’ve never felt that gears and airships directly label something as steampunk either.  Aesthetics aside, the two essentially come from the same place.  A world on the brink of something, where laws and rules are shoddy at best and non-existent at worse (I do stand by the “punk” in steampunk. )  Both celebrate a strong DIY ethos and a means toward self-invention.   The steampunk world is one composed of inventors, tinkerers, fringe academics and ideologues.  The circus, carnivale, vaudeville and cabaret are populated by re-invented people, fringe entertainers, bigger than life barkers and people who either just don’t fit, or refuse to fit, into every day culture.

Perhaps at it’s core, this is why I see them so intrinsically linked.   The circus is just another part of the steampunk motif.  What type of entertainment could be better for those of us who, while we still enjoy our television and Internet, are finding a new vitality in seeing live acts? In one night you see more unbelievable things (before your eyes none-the-less) than you see on the average television program anymore, and keep in mind, television has post-production going for it.

In this environment of growing mainstream banality, is it any surprise that over the past five years some very large, and mainstream, acts have evoked both steampunk and circus themes?  Britney Spears, Rush, Motley Crue and Primus are just a few of the many.  These are performers who are trying to reach and excite a new audience while retaining their old, and it seems that the DIY, retro-future appeal of steampunk, cabaret and the circus are just the vehicle for the job. That said, I have no issue with popular culture trying to capitalize on any of the aforementioned.  Certainly some acts have done a great job incorporating the subtlety and whimsy of it all while others have grotesquely abused the form.  That aside, I feel that still the most honest and best of such acts can be seen on your smaller stages (but who’s to complain should we all be graduated to larger ones?). I only hope the number of stages and acts grows in each coming year.

So! Did I catch your whimsy? I do hope so, because The Gearbox Fantastique is this Friday, featuring the triumphant return of The Squidling Brothers with Bunny Savage on guitar, Maray Fuego on Squeezebox and Haley Jane performing burlesque.  Alongside these phenomenal show-people are The White Ghost Shivers, a band that I can guarantee will be a crowd pleaser. We round the event off with Chicago’s own Mutiny Sideshow with their mind bending suspensions and the crowd favorite, Magician Michael Burke.   Of course we also have The Steampunk Chicago Djs on the Fusion-O-Scope, The Ladies of Dieselpunk hosting and myself – The Lord Baron – as your MC.   You can RSVP for reduced admission at either Do312.com or Yelp.com (and win tickets!)  Or if  you prefer to purchase them, simply go HERE.

Oh, what was that?  You are starting to think this entire article was just a big ploy to get you into the big tent?

Well then good readers, all I can say is welcome to the circus.

In light of last night’s deliriously delightful CLOCKWORK VAUDEVILLE and our belly dancers and magicians and strange bands named after the netherworld, it seems only fitting to enlighten the world to the existence of the The Human Marvels – an aether-site dedicated to those whom are more commonly known as “Freaks.”

The site’s host – one J. Tithonus Pednaud – has exhaustively compiled a comprehensive database of such individuals, even breaking them down to specific “types”, such as conjoined, gigantism and, of course, the classic pinhead.

Upon first inspection to the site, one inevitably finds themselves drawn to the macabre aspect of it.  It’s only human nature to try to find those who had the mis-fortune of being struck with a the most intense of deformities or handicaps.  But the website goes into great detail on virtually all of its subjects in regards to their history, personage and influences on the world, and it is there that is truly captivates the mind.

It really is a remarkable site, and one I suggest to the most dour and discerning reader.  It’s stories can be shocking, strange and sometimes even a bit disturbing – but they are also inspiring and more often than not triumphant.

And though I am not one to whole-sale capitalize on human suffering (just small-sale), sometimes I do miss a good show of the bizarre as well.

Best,

-The Lord Baron